When I read the press release accompanying Baby Jaymes' "Heart and Soul" my side-eye engaged when I read the genre description: Ghetto Retro. I was ready to dismiss it on that basis alone, but I had a minute or two to kill so I pressed play and prepared myself for another dose of formulaic, Motown rip-off pop. A third of the way in, after the obligatory record scratches and the statement "I'm sensitive about my s--t," my expectations were met, however I found myself not hitting stop and delete and instead, after a bout of
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